Noun
A superhero or supervillain.
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The Lensmen are shown, however, as a superior race, with advanced mental and physical powers, and there are few instances when mere humans appear in the stories or comment on these supercharacters.
In very short order a flood of supercharacter lookalikes was being turned out by both Superman's publisher and the other publishers who, as publishers always do, vied with each other in rushing to market with hastily prepared imitations of each other's products in hopes of cleaning up before new product's novelty could die away.
He asserted that, by taking on the role of a super[-]character (e.g. Spiderman^([sic])) or an adult who is powerful in their lives (e.g. the doctor), children experience the leadership and power position of those individuals.
An amalgamation of characters that respond to the same selective pressure.
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The combination of characters contributing to the supercharacter need not be logically or genetically related.
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Winter hardiness of plants is not a simple character, rather a supercharacter composed of several components whose impact will vary with the climatic conditions.
Under natural selection the supercharacter must equate with fitness of the phenotype in a particular environment; where fitness is defined in the Darwinian sense of the capacity to survive and leave offspring.
These, together with yield, may be taken as components of a supercharacter which is itself the overall merit of the plant.
A single entity that represents multiple irreducible characters but is treated as a single character in the algebraic theory of Carlos André.
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The supercharacter analog of the A.A.
A group of characters in a play, movie, or story, that act together as a single combined entity.
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His separate existence, indeed, is now superfluous: the conflict over, his better qualities are incorporated in the lover who survives, the more mature stage of the supercharacter Palamon-Arcite-Emetreus-Lygurge.
As a result, characters often start to take common actions to achieve their aims and may start to act as a single 'supercharacter' with a single position.
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In either case, the characters must manage as best they can to work forward from this understanding, perhaps to discuss the details of some agreement, perhaps to prepare for hostilities, perhaps to cope with a gradient by bolstering a flimsy justification. There are clearly many possibilities. One is that the exchanges succeed in building a 'supercharacter'; that is a stable coalition between previously independent parties, genuinely sharing a position and being so sure of their relationship that they have no need to consider its failure.
Something that pervades a story as a common theme or presence, transcending the level of individual characters.
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As one critic has astutely noted, ideas in Huxley's novels assume the role of "supercharacters."
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On the third, and "highest" level, there are images which are not merely recurrent but ever-present. One of these is Alexandria herself, the city which "lives" its inhabitants, the supercharacter of the book.
Ricoeur describes God as “the metahero of a metahistory,” the “superagent” or “supercharacter” in the founding events encompassing creation, the patriarchal sojourning, the wilderness wandering, deliverance, conquest and settlement of the land, and the monarchy.