Pronunciations (2)
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/ˌɪntəɹˈænɪmət/
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/ˌɪntəɹˈænɪmeɪt/
Adjective
Occurring as or involving interactions between separate consciousnesses.
Usage- not-comparable
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More examples (4)
Meanwhile, however, classicism had kept alive the imagination of an interanimate cosmos: of the land and the sea as gods and as comprising hosts of minor local deities; of humans as children of gods; of natural creatures as transformed humans (Daphne into laurel, Procne into swallow) or as transformable into human shape.
Before going on to show the relationship of tactile-kinesthetic invariants and iconicity to analogical thinking, I would like to interpose a question alluded to earlier: how are new interanimate meanings minted?
Deepened understandings of responsivity, of its basis in both comsigns and interchangeability, and of the basis of comsigns and interchangeability in species-specific kinetic/tactile-kinesthetic invariants, provide the grounds for elucidating the interanimate phenomenon of empathy.
The beauty of the queer invitation, Forster discovers, lies in its unconventional temporality, which permits delays, demurrals, and even extended deferrals, but which nonetheless supplies a lifeline for interanimate collaborations that interrupt the self's consolidation into an obedient disciple of heterosexuality.
Mutually affecting; tending to interanimate.
Usage- not-comparable
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If we agree with Pat Hartwell's statement that thinking and writing are interanimate, then we cannot help but address thinking when we speak of writing .
The interaction of discourses is dynamic, interdependent, "interanimate," and "interilluminating."
More examples (1)
In chapter five, the applied chapter, I show how ecological and prima facie formalist and aesthetic values are interanimate and therefore inseparable.
Verb
To animate or inspire mutually.
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When love, with another so Interanimates two souls
These voices compete, interanimate (penetrate and inform), and change over time.
More examples (2)
The third space enables new meanings to be generated as the diverse voices of the official script and unofficial counterscript interanimate.
As cognitive, aesthetic, and ethical discourses accumulate, and juxtapose, Bakhtin (1990) argues they begin to interanimate, to show up in one another, to express one through the other.